ART IS WHAT MAKES LIFE MORE INTERESTING THAN ART
Keywords:
contemporary art, avant-garde, neo-avant-garde, autonomy, aesthetic value, declassification, open system, experimentAbstract
This paper discusses the year 1968, not as chronological determinant, cultural revolution or social turmoil, but as cluster of events which incorporates series of processes in a much wider time frame in which art and life are intertwined. This is also a peak of the process of questioning dominant conventions, both in art and in other social walks of life.
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References
Fried, Michael, “Art And Objecthood”, Artforum (1967).
Greenberg, Clement, “Avant-Garde and Kitch”, Art and Culture. Critical Essays, Boston: Beacon Press, 1961.
Kalyva, Eve, Image and Text in Conceptual Art, Palgrave Macmillan, 2016.
Kosuth, Joseph, “Art After Philosophy”, Studio International, October, 1969.
Lee, Pamela M., Chronophobia. On Art in the Art of the 1960s, The MIT Press 2004.
O’Doherty, Brien, Inside the White Cube: The Ideology of the Gallery Space, University of California Press 2000.
Quaranta, Domenico, Beyond New Media Art, Brescia: LINK Editions, 2013.
Ross, Kristin, May ‘68 And Its Afterlives, London: The University of Chicago Press, 2001.
Savić, Miša, Filipović, Filip (prir.) John Cage. Radovi/tekstovi 1939–1979, Beograd: radionica SIC, 1981.
Stakemeier, Kerstin, Vishmidt, Marina (ed.), Reproducing Autonomy, London-Berlin: Mute Publishing, 2016.
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