ŠTA MOŽE DA BUDE EKO-UMETNOST: POLEMIČKI ASPEKTI ODREĐENJA SAVREMENE EKOLOŠKE UMETNOSTI
DOI:
https://doi.org/10.18485/f_zsmu.2024.20.7Ključne reči:
ekološka umetnost, klimatske promene, savremena umetnost, Lidija Delić, Marija Marković, polemički aspektiApstrakt
Umetnost usredsređena na pitanja klimatskih promena, odnosno eko ili ekološka umetnost, kako je nazivaju neki autori, dobija sve značajniju pažnju u skorije vreme, sudeći po sve većem broju publikacija posvećenih ovoj temi. Teorijska razmatranja ove umetnosti nisu međusobno kontradiktorna i isključiva, ali se razlikuju po svojim težištima i načinima na koje promišljaju definicije, svojstva, uloge i potencijale ovih umetničkih praksi. Prilikom analize datih teorijskih okvira javljaju se nedoumice u vezi sa pitanjem koje se umetničke prakse mogu smatrati ekološkim i koliko su postojeći interpretativni modeli adekvatni ili ograničeni, odnosno u kojoj meri su otvoreni prema heterogenosti i pluralitetu savremene umetnosti posvećene klimatskim problemima. Analizirajući parametre iznete u literaturi koja je izdvojena zbog svojih načelno različitih pristupa temi ekološke umetnosti, namera ove polemike je da na primerima radova Lidije Delić i Marije Marković, kao studijama slučaja, razmotri nedoumice koje se javljaju prilikom njihove analize i primene, i time doprinese aktuelnoj debati.
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