A FOREIGNER IN PARIS: CRITICAL RECEPTION OF SAVA ŠUMANOVIĆ ON THE PARIS ART SCENE FROM 1926 TO 1928
Keywords:
modern art, 1920s, Paris, Sava Šumanović, art criticism, critical reception, foreign artists in FranceAbstract
Šumanović’s second stay in Paris between 1925 and 1928 was marked by his intention to integrate, as a foreign artist, into the Parisian artistic environment and to become one of its participants. He regularly exhibited his paintings at the Salon des Indépendants and Salon d’Automne from the large body of his work produced during this time. These exhibitions were followed by daily and specialized periodicals, and they received the greatest attention by the art critics between 1926 and 1928. Bearing in mind the characteristics of Šumanović’s practice, the intellectual circle with which he identified himself, and the strategies of forming an artistic identity that he adopted, the focus of the present analysis is on the reception of his works in the Paris art critique between 1926 and 1928. Furthermore, this analysis also examines the ambivalent position of a foreign artist in the French capital during the 1920s that is recognizable in the critical reception of Šumanović’s work and his experience in the Paris art scene during this period.
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