UMETNOST IZBORA: PEGI GUGENHAJM
DOI:
https://doi.org/10.18485/f_zsmu.2026.22.4Ključne reči:
Pegi Gugenhajm, zbirka, kolekcionarski impuls, moderna umetnost, metamodernostApstrakt
Rad se bavi odnosom između ličnih afiniteta i estetskih izbora u kolekcionarskoj praksi Pegi Gugenhajm. Njeni potezi predstavljaju temelj za promišljanje identiteta kolekcionara, selektivnih strategija i samog koncepta zbirke. Upoređujući njene pristupe umetnosti i kolekcionisanju, analiziraju se načini na koje je uspešno delovala kao posrednica između umetničkih epoha, često prepoznajući vrednosti koje će tek kasnije dobiti institucionalno priznanje. Kao kolekcionarka i mecena, Gugenhajm narušava dominaciju patrijarhalno oblikovanih kanona – ne toliko otvorenom feminističkom kritikom, koliko suštinskim promenama u načinu delovanja. Njena ulaganja u umetnost – lična i finansijska – nisu bila vođena profitom, već stvaranjem kulturnog kapitala. Kroz modele delovanja bliske muzejskim praksama, oblikovala je novi umetnički pejzaž, utemeljen na sopstvenim istorijsko-umetničkim i estetskim principima. Taj impuls ne odgovara savremenim modernističkim ili postmodernim tumačenjima, već se uklapa u složeniju strukturu koju možemo opisati pojmom metamodernosti.
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